Hazem Harb Palestinian, b. 1980

For the last few years, Dubai Art Week has formed a relished chance for our community of art appreciators from near and far to gather in the artistic environment of Hazem Harb. A meeting of minds that opens up fresh dialogues and forges new ways of understanding through art. The...

In the Paradise Lost series Gaza-born, visual artist Hazem Harb assembles fleeting glimpses into the material and natural landscape of his homeland from which he remains displaced. Through his ubiquitous process of contemporary collage, he presents a dystopic vision of paradise, evacuating images of Palestine’s architecture and agriculture from their...

Contemporary Heritage is mixed media, visual artist, Harb’s first solo at the gallery since 2015 and will bring together a fresh body of work the cuts across disciplines and continues to push the boundaries of the contemporary art framework.


This new body of work sees the artist observe the notion of heritage as unfixed and fluid. Underscoring Palestinian academic, Edward Said’s concept of Orientalism whereby through the imposition of soft powers history is reshaped for various agendas, Harb observes that while transferred from generation-to-generation, heritage also collides with colonial discourses resulting in new meanings that subsume the stories of the original owners who are often forcibly absent.

A consistent thread throughout Harb’s practice has been the preoccupation with the Palestinian people and their collective and subjective narratives which he investigates both in the literal sense - referring to archives and academic texts as the foundations of his work and in the sense of physical investigation through the deployment of his materials. The artist, in continual flow, oscillates between mediums, drawn to those which he maintains best convey the sentiments of each new concept. Harb has previously worked with film, photography, installation, collage and textile and now leans towards a fresh mode of representation that reconfigures the past.


As well as a large-scale collage triptych in Harb’s now-ubiquitous contemporary collage format Contemporary Heritage will see the artist produce new works in relief form, transposing 1920s Palestinian archival imagery into etchings that come to form compelling contemporary artefacts much like those of the forgotten societies now resigned to museums. As the debate surrounding looted antiquities looms large in the west, Harb’s reliefs, presented as the findings of archaeologists, are at once preserving history but also highlighting the ease at which certain communities, absent from the rhetoric and its presentation, become reduced to a historical exhibit in a foreign land.

Sabsay is thrilled to announce the opening of ‘Power Does Not Defeat Memory” by Palestinian artist Hazem Harb. The solo exhibition recovers else forgotten moments of Palestine’s past from oblivion, reintroducing them in collages of photographic material and architectural shapes. Assembling historical material of Palestine’s past, including photographs, negatives and...

Hazem Harb will present ‘The Everlasting Presence of an Excluded Memory’, a solo exhibition composed of a selection of abstract collages on canvas that lend new meaning to archival materials sourced from his native Palestine. An avid collector of memorabilia that dates back to the years before and during the...

El Beit is a collective showing of contemporary and modernist Palestinian artists exploring themes of identity through painting, photography and sculpture. Featuring the work of three artists – Hazem Harb, Mohammed Joha and Sliman Mansour – the exhibition reflects on the collective experience of lost identity and displacement in Palestine....