In Devrim Erbil‟s painting, the process of artistic creation and the integrity of the artwork is first interrogated, then stabilized and finally affirmed, until the time when the work reveals itself in its fragility once more and invites reason to give it new form. After graduating in 1959 from the painting department of the State Fine Art Academy, the precursor of Mimar Sinan University, Erbil won a number of international and national awards. He received the title of professor at the academy in 1981 and became chairman of the painting department four years later. In 1988, he was appointed chairman of the Yildiz University Fine Arts Department; in 1990, he became Deputy Dean of the Mimar Sinan University Fine Arts Faculty. In 1991, he was awarded the title of “State Artist.” Devrim Erbil has played a crucial role in the development of modern Turkish painting. He also served in key administrative and academic positions, impacting the development of a generation of young Turkish painters. It therefore seemed appropriate to present a more in-depth article on his painting. The excerpts were chosen to indicate Erbil‟s place in the tradition/modernity divide in painting and his assessment of the modern trends in Turkish painting and their prospects.