Halak’s art follows western traditions of realist, illusory painting, but diverges in content which conflates local and global realities. This combination opens up the opportunity for multiple readings of his work and urges the viewer to consider more closely the contents with which they are presented.
Michael Halak’s art moves along the frontier between hyperrealism and conceptualism. The illusion of reality represented on canvas may be seductively beautiful and perfect, but equally conveys feelings of disruption and disintegration. The perfectly constructed and executed works depict landscapes, feeling, often impermanence, hybridity, entrapment or categorisation. Halak plays with our perception to make us feel what he feels, to experience his reality: a life in transition, in a place that is not really his.