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Routes to Roots | Abu Dhabi Art 16th Edition, Booth S7: Sliman Mansour, Samah Shihadi, Michael Halak, Hazem Harb, Aya Haidar, Randa Maddah, Chafa Ghaddar and Tagreed Darghouth.

Past exhibition
20 - 24 November 2024
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Routes to Roots | Abu Dhabi Art 16th Edition, Booth S7: Sliman Mansour, Samah Shihadi, Michael Halak, Hazem Harb, Aya Haidar, Randa Maddah, Chafa Ghaddar and Tagreed Darghouth.

Past exhibition
20 - 24 November 2024
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Open a larger version of the following image in a popup: Tagreed Darghouth, Echoes of Pine and Gold, 2024

Tagreed Darghouth Lebanese, b. 1979

Echoes of Pine and Gold, 2024
Acrylic on canvas
220 x 120 cm
86 5/8 x 47 1/4 in
Copyright The Artist
$ 33,000.00
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Literature

Tagreed Darghouth's evocative canvases feature the pine tree rendered as a self-portrait, symbolising both personal and collective identity. In Lebanon, the pine tree holds a vital place in the country’s visual and cultural identity, much like the cedar, with pines scattered across the mountainous landscape. During the recent financial collapse, however, the price of pine seeds soared, surpassing even the value of gold. This economic shift led to the pine tree’s disappearance from kitchens, creating a surreal contrast that mirrors Darghouth’s perception of Lebanon.

The pine tree, however, carries a more complex symbolism beyond Lebanon. In Palestine, it has come to represent something altogether different, as the pine has increasingly supplanted the region’s ubiquitous olive trees in recent years. Darghouth’s work, as such, becomes a meditation on the transformation of natural and cultural symbols, connecting personal, national, and political narratives.

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