Talal Al Najjar’s MESH & MAYHEM unravels a terrain where digital architectures and Gulf memory entwine, forming a fabric stretched thin across speculative futures and fractured realities. The exhibition confronts the way simulation infiltrates identity—where the mesh becomes both structure and rupture, at once a connective tissue and a site of collapse. Repetition, as Deleuze suggests, is never mere duplication but a force of excess; here it manifests in the recursive circulation of meshes, video fragments, and 3D surfaces that endlessly reproduce without resolution.
In Al Najjar’s hands, repetition builds toward abundance, toward mayhem, toward a psychic overload that mirrors the saturated image-economy of 2025.
