Surrealist Cosmologies

The artist sees nature as a site through which metamorphosis is possible and where human life remains inseparable from its environment. Motifs form a symbolic ecology throughout her practice. Anamorphic creatures move through orchards and cherry trees, alongside hybrid figures that shift between human, animal and vegetal states. The cherry tree, for example, is a site of tension, its delicate bloom set against dense, watchful skies, evoking cycles of drought and endurance within land tinged by conflict, while still carrying traces of fertility and abundance.

 The interconnection of animal and human forms reinforces a sense of continuity, dissolving boundaries and sustaining a shared existence within the natural world. Her compositions draw on the narrative traditions of miniature painting, where multiple temporalities coexist within a single frame. Figures elongate, merge with their surroundings or float between states, while others recede into the ground. These recurring bodies signal transformation; they are in flux, continuously reconfigured by their environment.