For Randa, human life is inseparable from its environment, and nature is a site through which metamorphosis might be possible. Motifs form a symbolic ecology throughout her practice. Anamorphic creatures - captured mid-flight or dwelling on the earth - move through orchards, shifting between human, animal and vegetal states. The interconnection of animal and human forms reinforces a sense of continuity, dissolving boundaries and urging consciousness of harmony within the natural world. The cherry tree, on the other hand, is an emblem of tension, its delicate bloom set against dense, watchful skies. Here, she laments cycles of drought and endurance within land tinged by conflict, yet these mythical pastures still offer traces of fertility and promise.

Embracing the narrative traditions of Persian miniature painting, Randa allows multiple temporalities to coexist within a single frame. Figures elongate, merge with their surroundings or float between states, while others recede into the ground. These recurring bodies signal transformation; they are in flux, continuously reconfigured by their environment.