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Every time I attain that emptiness, I connect with a new resonance. It's akin to being at the heart of a circle, encircled by its expansive circumference brimming with infinite possibilities of existence. In this solo, it feels like a threshold moment, between two opposing worlds: the tangible and the metaphysical. Here, I surrender to being a vessel, letting myself dissolve as I sense the unseen realm infusing the canvas with gentle colours and ethereal forms.
- Miramar Al Nayyar -
Through layering translucent pigments, Miramar captures the weight and cadence of human movement, instilling a sense of depth into two-dimensional canvases. Her compositions blend organic and abstract forms, resonating with the rhythmic harmony that underpins movement in the natural world.
Miramar’s self-developed technique amalgamates an array of approaches to painting, ranging from oil glazing to the thin layering of wet-on-wet paint and airbrushing. Through her process, she aims to encapsulate and share transformative experiences, leading observers to a destination that exists beyond the confines of conventional reality—a space of profound emptiness that's concurrently abundant with possibility.
In a deliberate departure from her previous works, where proportions varied, Miramar opts for uniformity in size and dimensionality across all canvases. This intentional choice provides a cohesive backdrop, allowing the essence of her explorations to manifest unhindered, with the content emerging as the sole variable in the viewer's experience.
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Miramar Al Nayyar says:
“Inspired by the fluidity of motion within the motionless sandstone formations, I entered a state of profound clarity, akin to peeling away the layers of an onion until reaching a state of pure emptiness—a state of oneness. Nature serves as the conduit for this subconscious
dialogue, guiding me towards a place of egoless communion with all existence.”
“I remember passing through the towering sand rock formations along the desert, feeling a burning curiosity unfold with every pattern in the abstract, organic shapes of the mountains. The formations, endowed with erosion lines and colour variance, lend themselves to pareidolia. In the rocks, I saw ocean waves, movements of dancers, and faces of people I had never met. This experience left me with an awareness of a primordial earthly connection, stimulating unexplored parts of my psyche; I found myself in those formations.”
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Moving Through The Ether: Miramar Al Nayyar
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